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Theatergoers ‘Privileged to Learn’ From Shen Yun update 2

2019-03-07 18:21
Nadene Lomu is a fan of Chinese culture, so seeing Shen Yun Performing Arts at the ASB Theatre in Aotea Centre was deeply meaningful for her. Coming out from the matinee performance, Lomu said she had been captivated. “I have seen the many beautiful pictures and things that [Shen Yun] created for today, and it was a very captivating experience. So, the colors, and the synchronization, and the performance of all of the performers, it really was amazing to see.” Lomu is the wife of New Zealand’s all-time great rugby legend, Jonah Lomu.  Jonah was New Zealand’s youngest All Black player when he started playing at 19 years of age, and by the end of his career he had become a global star. Lomu said that the performance had inspired her. She feels an affinity with Chinese culture as her great grandmother was Chinese and she feels that it is very special. “I felt very privileged to be able to learn more about the Chinese culture and to learn of some of the stories that are very special to the Chinese heritage.” “I think it doesn’t matter what culture or what heritage we come from, I think it’s good that we’re opened and we're enlightened by things that really mean a lot to different people,” Lomu said. Formed in New York in 2006, Shen Yun Performing Arts is the world’s premier classical Chinese dance and music company. Its mission is to revive the authentic 5,000-year-old Chinese culture which has been all but destroyed during the 70 years of Chinese Communist Party rule. The belief in living virtuous lives, observing principles such as righteousness, benevolence, justice, and loyalty were all part of traditional Chinese culture. Memorable Dances Lomu said a number of performances went straight to her heart. “One of the ones that I do really liked was the fairies in the clouds. Fairies in the clouds felt really special to me because my husband Jonah Lomu passed [away]not so many years ago. So there’s a lot of things and the heavens that are very close to me now,” Lomu said. For Lomu, the dances were memorable. “I liked the [dance] ‘Porcelain in the Balance,’ and the balance of that one was really nice. It was beautiful watching the vases and how they were able to move and it was just so graceful,” she said. She appreciated the time and effort that it would have been required to bring this dance to fruition. In this piece, the dancers balance large porcelain vases as they glide across the stage, a practice that existed in China for thousands of years. Shen Yun Performing Arts uses classical Chinese dance as its foundation but also includes several ethnic and folk dances from China’s many regions and peoples. With its flips, spins, and tumbling techniques, classical Chinese dance is one of the world’s most demanding and oldest systems of dance. Lomu could not single out one particular performance in Shen Yun as they “all did so well.” An Innovative Approach Lomu said she would recommend Shen Yun Performing Arts to everybody. “And I’ll definitely come back next year to see what other work has gone into it,” she said. “I really think they are delivering in such an emotional but a very special way as well.” Also at the matinee performance was Stoyko Fakirov, a visiting professor at Auckland University from Sofia University, Bulgaria. It was the first time he watched Shen Yun Performing Arts and he found it very interesting. “I am very impressed by this innovative approach to combine the living actors with the pictures on the screen, and even I wonder how it is realized,” said Fakirov. According to Shen Yun’s program book, the stagecraft is meant to provide the audience with a traditional artistic experience, including in the lighting, sound or stage design. “Obviously, it is really very innovative, and very important approach because I read in the brochure that you got the patent in the United States for this technique, and it’s impressive, this, because it offers new opportunities to show the life on the moon, and coming to the earth,” said Fakirov. Fakirov was referring to the dance “Visiting Changé at the